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I go to the police station in a bid to get my missing documents back, but the police aren't very cooperative. Fortunately, I meet New York's special prosecutor, Diane Boseman.

Info[]

Dialogue Choices[]

I might hurt Prosecutor Boseman's case, and harm my own credibility.

  • Tell the truth about everything.
    • Diane's Goodwill will rise
  • Tell the truth, but leave out anything involving Mr. Puzo
    • Diane's Goodwill will rise

Transcript[]

Expand for script.

  • Back in my room, I toss and turn in my bed for hours, struggling to fall asleep.
  • The scene at the theater is etched in my mind.
  • You: Stalked, burgled, held at gunpoint by the Mafia... Why do these things happen to me?
  • You: This is absolutely brilliant. Way more exciting than a movie plot.
  • You: Today's shootout will probably make a good article... thank goodness I took notes.
  • Lifting myself out of bed, I begin flipping through the notes I took at the scene.
  • As I skim through my messy notes, I recall the life-threatening encounter with Mr. Puzo...
  • You: Mr. Puzo doesn't want me to write an article about this evening.
  • You: But since he's a victim, it shouldn't matter that I report the fact as they are.
  • You: Although if I were to write an article about this, I'd need more than just the information I gathered at the scene.
  • You: I should be able to learn more from the police. Then I can write the article.
  • You: And I should probably ask for an update on my burglary case...
  • I can't help but feel excited at the possibility of obtaining more newsworthy material.
  • You: I should try to sleep. It's gonna be a full day tomorrow.



  • You: I need to head down to the police station today, so I'd better leave early.



  • I explain the situation to Mr. Kane, and he quickly agrees to my request to write a new article.
  • Considering the scale of the shootout at the theater, I decide it might be better to inquire at the police headquarters instead.


  • You: Good day to you, sir. I'm Elizabeth Colvin, a reporter for the Gotham Times.
  • You: Are there any updates on the investigation of the shooting incident at Ornald Theater last night?
  • Young Cop: You're a reporter? Wait here.
  • The young policeman walks away.
  • You: How long am I supposed to wait?
  • Thankfully, he returns quickly with a pudgy policeman.
  • Middle-Aged Cop: I must apologize, Miss Reporter. There hasn't been any progress in the investigation.
  • You: Can you tell me more about the case?
  • Middle-Aged Cop: Hmm, we haven't found any witnesses yet.
  • You: Have you looked? This can't be the only reason for your lack of progress.
  • Middle-Aged Cop: It was pretty chaotic, and the scene was a mess when we arrived. How could we get any testimony?
  • You: (They probably haven't bothered. I'm a witness, but they didn't call me.)
  • You: You're slacking off. It's irresponsible.
  • Middle-Aged Cop: Don't you chide us, Miss Reporter.
  • You: This isn't the first time you've neglected your duties.
  • You: There wasn't a single policeman patrolling the street on the night someone stalked me!
  • Middle-Aged Cop: The police aren't God. How could we possibly appear at your beck and call?
  • Middle-Aged Cop: You look unharmed to me, so I guess it wasn't a big deal.
  • Middle-Aged Cop: And you can't prove you were stalked. You might have imagined it.
  • You: What about last week, when my house was burgled? I called the police!
  • You: I waited for an hour, but you didn't turn up!
  • Middle-Aged Cop: Probably because nothing valuable was taken.
  • You: How could you know that when you didn't even show up! The material I lost was very important!
  • You: I lost my notes for the Miss Harris interview and everything I had on the Metropolitan Hospital--
  • Middle-Aged Cop: Wait. Are you Elizabeth Colvin?
  • You: Yes, I am.
  • Middle-Aged Cop: Wait here, I'll check the call records.
  • He leaves in a hurry, leaving me alone again.
  • You: Weird. He was trying to shirk his responsibility a while ago. What changed his mind?
  • You: I bet he'll sing a different tune when he retrieves the call records.
  • ???: What do you mean you don't have any witness testimony? Is this why you're delaying the investigation?
  • The voice comes from a professionally dressed, middle-aged lady. She's arguing with a senior officer.
  • She's flanked by a handful of sharp-looking officers--a stark contrast to the other policemen.
  • ???: You're making excuses. You're covering for the Mafia!
  • Police Chief: It was really hectic at the theater, Prosecutor Boseman. That's why we didn't find any witnesses--
  • Prosecutor Boseman: Are these the Chief Inspector's instruction? I'll write a formal request to transfer this case to our department.
  • Police Chief: You're being stubborn... I assure you there wouldn't be any progress even if the case was handed over to you.
  • You: (Theater? Ornald Theater? That's where I attended the premiere!)
  • You: (That prosecutor... I might be able to learn more about the case if I give her my testimony.)
  • You: Ma'am, I was at the theater during the shootout!
  • I manage to draw the attention of the arguing pair across the station hall.
  • Prosecutor Boseman: Are you certain, miss? Can you tell me when and where it happened, as well as the purpose of your visit?
  • You: It happened at the Ornald Theater last Wednesday, at approximately 9pm, right after my interview with Miss Daisy Collins.
  • Prosecutor Boseman: You're a reporter? What's your name and your newspaper?
  • You: Elizabeth Colvin. I'm a reporter for the Gotham Times.
  • Prosecutor Boseman: Pleased to meet you, Miss Colvin. I'm Diane Boseman, the new Special Prosecutor with the city.
  • Prosecutor Boseman: Thank you for volunteering your testimony.
  • You: My pleasure, but I have a small request.
  • You: I hope you'll keep me updated on the progress of the investigation.
  • Diane Boseman: Of course, but in return, you ust ensure impartiality in your news articles.
  • Diane Boseman: Now, can you briefly recount the incident?
  • You: No problem.
  • You: (But... should I tell her about Mr. Puzo?)
  • The gunmen were after Mr. Puzo, but not only did he not report it to the police, he also asked me to keep it under wraps.
  • But I'd have to give false testimony if I want to keep his secret...
  • I might hurt Prosecutor Boseman's case, and harm my own credibility.
Tell the truth about everything.
  • I give my statement to Prosecutor Boseman, and I don't leave out any details.


Tell the truth, but leave out anything involving Mr. Puzo.
  • I give my statement to Prosecutor Boseman.
  • But I leave Mr. Puzo out of everything.


  • Diane Boseman: A very detailed account of events, thank you, Mis Colvin. Please follow my subordinate to record your testimony.
  • You: No problem.
  • The senior officer from before returns as I leave with Prosecutor Boseman's subordinate.
  • Middle-Aged Cop: Miss Reporter, I found your police report record... Where are you going?
  • You: (My testimony is more important than the burglary right now...)
  • You: I'm sorry, I have something important to do first.
  • Middle-Aged Cop: You were so aggressive and demanding just a moment ago, and now you're no longer concerned about your apartment being burgled?
  • Middle-Aged Cop: Reporters these days will do anything to get their hands on a scoop.
  • Middle-Aged Cop: Claiming you're being stalked one moment, and claiming your house was broken into the next. Honestly...
  • Boseman suddenly stops in the middle of leaving the room and returns to stand in front of me.
  • Diane Boseman: You're being stalked, Miss Colvin? And your house was broken into? Could you provide details?
  • You: (Why does she want to know? She seems so serious.)
  • Although I have many questions swirling in my head, I give her a detailed description of both incidents.
  • Diane Boseman: ...I understand now.
  • Diane Boseman: You may be shocked by what I'm about to tell you, Miss Colvin, but there is a good chance these incidents are connected.
  • Diane Boseman: I read the article you wrote on the Metropolitan Hospital while you were still at the Sun News.
  • Diane Boseman: The stalking and burglary both happened after your article was published.
  • You: My... article?
  • Diane Boseman: That's right. I think you were targeted because of your exposé.
  • You: I don't understand. How could they be related?
  • Diane Boseman: Think about it, Miss Colvin. Your article revealed a truth someone had been concealing?
  • You: I revealed the horrifying treatment patients at the Metropolitan Hospital are facing, and I guess it's not surprising that I made someone angry enough to want to hurt me.
  • You: I thought getting fired was the worst that would happen. Would they really go so far as to stalk and burgle me?
  • Diane Boseman: The answer may be found within the content of your article.
  • You: My article mostly focused on Jessica. Could she have something to do with this?
  • You: I guess I should go back to the Metropolitan Hospital and find out.
  • Diane Boseman: Please contact me if you require any assistance.
  • Prosecutor Boseman leaves first, and I prepare to leave as well so the junior officer can record my testimony. The senior officer stops me in my tracks, however.
  • It looks like he wants to tell me something, but can't bring himself to say it.
  • You: I'm sorry, can we talk about the burglary another day? I really do have something more important to deal with right now.
  • I hurry after Boseman's subordinate before he can react.


  • Boseman's words leave me unsetlled the rest of the day. They're still on my mind on my way home after recording my testimony.
  • Could it really be true? It's not been a coincidence?